The Black Box Aesthetics: Performative Dynamics Between Artificial Intelligence and Human Interactive Staging

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Titre (article, livre complet, chapitre de livre, publication réseaux sociaux, pageWeb, SiteWeb complet, etc.): The Black Box Aesthetics: Performative Dynamics Between Artificial Intelligence and Human Interactive Staging
Auteur de la référence bibliograpique: Luca Befera
Date de publication (AAAA ou AAAA-MM-JJ): 2023-05-04
Numéro (revues scientifiques): 2
Volume (revues scientifiques): 19
Maison d'édition / Nom de la revue scientifique / Nom du site Web / Nom de l'institution universitaire (thèses) / Institution d'un rapport, etc.: International Journal of Performance Arts and Digital Media
Intervalles des pages (articles): 230-246
URL (adresse Web): https://doi.org/10.1080/14794713.2023.2196890
Is Referenced By: TBJMUR74
Abstract: The present paper addresses a theoretical model for human-machine interaction in intermedia performance taking as reference the author’s perspective. It is discussed the role of artificial intelligence as an autonomous, pervasive, and real-time evolving entity in dialectical relation with the performer and/or audience. The convergence of physical and virtual elements suggests the emergence of hybrid systems, insofar as digital instances manifest their own agency and humans show mechanical actions linked to information processing. Three typologies of human-machine interaction are inferred: 1) the algorithm elaborates the output through self-referential data, as in Δnfang; 2) the algorithm gathers information from performed actions, as in Convergence; 3) the algorithm processes data from the audience’s reaction, as in DoPPioGioco. As digital and analogue devices are employed, programming environments are hidden from human agents and filtered through the author’s gaze. Comparing the underlying black box rules with stage setting, it is observed to what extent algorithms are mediated and enacted. The article considers the information bias commonly attributed to artificial intelligence as rooted in the aesthetic domain, with significant dramaturgical implications.
doi: 10.1080/14794713.2023.2196890
issn: 1479-4713
short title: The black box aesthetics
Source: Taylor and Francis+NEJM
Date Submitted: 2025-03-07T20:41:13Z
is compiled by: ARCANES; Julie-Michèle
is in semantic relation with: artificial intelligence

Item sets: IA, pratiques narratives et arts performatifs

Media: The black box aesthetics Article

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