Work of art in the Age of Its AI Reproduction
Item
- Titre (article, livre complet, chapitre de livre, publication réseaux sociaux, pageWeb, SiteWeb complet, etc.)
- Work of art in the Age of Its AI Reproduction
- Auteur de la référence bibliograpique
- Ignas Kalpokas
- Date de publication (AAAA ou AAAA-MM-JJ)
- 2023
- Numéro (revues scientifiques)
- 0
- Volume (revues scientifiques)
- 0
- Maison d'édition / Nom de la revue scientifique / Nom du site Web / Nom de l'institution universitaire (thèses) / Institution d'un rapport, etc.
- Philosophy & Social Criticism
- URL (adresse Web)
- https://doi.org/10.1177/01914537231184490
- Is Referenced By
- PD6RKF2F
- Abstract
- From a Benjaminian point of view, AI-generated art is distinct from both ‘traditional’ art and technologically enabled reproduction, for example, photography and film. Instead of mere mechanical representation of the world as it is presented to a device, AI-generated art involves identification and inventive representation of data patterns. This specific mode of data-based generation exceeds mere surface-level mimicry and enables deeper meaning, namely, an insight into the collective unconscious of the society. In this way, AI-generated art is never detached from society and the predominant social conditions while also reflecting the technology-induced transformations that today’s societies are undergoing. Thus, AI-generated art can be seen as capable of partly reversing the loss of auratic capacities that hand ensued with mechanical reproduction. Still, as a matter of continuity, AI-generated works enable the maximisation of exhibition value and capacity for audience enjoyment, rendering AI-generated art perfect for the age of increasing distraction.
- Language
- en
- Source
- SAGE Journals
- Date Submitted
- 2024-10-11T11:44:45Z
- issn
- 0191-4537
- doi
- 10.1177/01914537231184490
Linked resources
Title | Class |
---|---|
Médias génératifs et régimes d’authenticité. Retours sur une étude de cas | Conference |
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